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HISTORY |
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- IRAN BEFORE IRANIANS |
The conquest of Persia by
Alexander's armies left the Persian army in complete disarray.
Alexander captured Babylon, Susa and then Persepolis. The splendour of
Persepolis was short lived, as the palaces were looted and burned by
Alexander in just one night.
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The Seleucids |
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The Seleucid capital was founded at "Antiochus" by Seleucus I. His son Antiochus, by an Iranian noblewoman, was put in charge of the eastern provinces. The main difficulty that the Seleucid rulers faced was how to maintain the unity of an empire composed of a mosaic of different cultures and ethnic groups, and governed by independent-minded satraps. A new menace was added to this, that of the Parthians, a nomad people of Iranian origin who had settled in the region between the Caspian and Aral seas. In 250 B.C., Bactria proclaimed its independence, followed shortly afterwards by Parthia. Antiochos III (223-187 B.C.) attempted to keep the empire together but in 189 B.C., the Roman army won a decisive victory against the Seleucids at the battle of Magnesia. Antiochos IV (175-164 B.C.) restored his position in western Iran, but failed to recoup Seleucid losses in the east. The Seleucids tried on several occasions to force out the Parthians who had moved into northern Iran. However, the attempts of Demetrius I in 156 B.C., of Demetrius II in 141 to 140 B.C., and of Seleucus VII in 130 B.C. all failed. After Alexander conquered the Persian Empire (331 BC), Iranian art underwent a revolution. Greeks and Iranians lived together in the same city, where mixed marriages became commonplace. Two profoundly different concepts of life and beauty thus came into confrontation with each other. On the one hand all interest focused on modeling the plasticity of the body and its gestures; while on the other, there was nothing but dryness and severity, a linear vision, rigidness, and frontality. Greco-Iranian art was the logical product of this encounter.
The victors, represented by the Seleucid dynasty of Macedonian origin,
replaced the old Oriental art by Hellenistic forms in which space and
perspective, gesture, drapery and other devices were used to suggest
movement or various emotions, however, some Oriental features still
remained. [TOP]
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[PAST . PRESENT . FUTURE]
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